![]() ![]() ![]() Roger Deakins was originally a documentarian, and during this time he didn’t have big studio budgets available, so he came up with creative solutions for gear, lighting, and overall image creation. He loves the immediacy of controlling a camera, and if you are a cinematographer with a love for movies, you may agree. You have the viewfinder against your eye, and the camera “in your hand.” You see what the viewer will see. I think I would agree from the standpoint that you see everything before anyone else. OPERATE THE CAMERA AS MUCH AS POSSIBLEĭeakins believes the camera operator is the best job on set. Miranda practically won every major critics award, but received no Oscar nomination, nor was he rewarded by the ASC. And no, it’s not Claudio Miranda’s work in Top Gun: Maverick. When it is dangerous, support your cast and crew. Roger Deakins, a legendary cinematographer, one of the greatest ever, is saying the best cinematography of 2022 wasn’t Oscar-nominated. The rare exceptions almost always involve stunt work, where the use of multi-cam can mean important images aren’t missed and can keep coworkers from replicating dangerous stunts over and again. Multi-cameras are one way to film your scenes, but not for Deakins. How can you show the outside light peeking through a door hole when you also have to light the characters face for the other camera or get a shadow on the water when you also have to record the close-up. They use visuals, camera movement, sounds design, and film grammar all to their advantage whenever possible. They instead have elected to absorb the principles of early television which prioritizes writing and efficiency rather than aesthetics.ĭeakins does not, and neither do the directors that he works with. Many films don’t do this, and that’s why they don’t deliver.Ĭinema is different from television because of the economics, but in the last ten years, that gap has slowly been closing.Ĭuriously enough, some movie makers have lost sight of why television is catching up. This may be the most important advice you’ll ever hear. ![]() TAKE ADVANTAGE OF T HE FILM MEDIUMĭeakins works with directors who take advantage of the medium. The way he lights scenes, the camera placement, the number of cameras, the lenses, and directors he works with all matter more to him than film vs digital. Some filmmakers are very specific about their preference, but Deakins is focused elsewhere. Here's a primer on Roger Deakins' cinematography and style. Without a deeply thought-out mise-en-scene and a camera that uses it to enhance its frame, the film would feel far less rooted in its own built reality. Both have their advantages, and Deakins recognizes this. The interplay between cinematography and set design is key to making the Blade Runner 2049 aesthetic work. ![]()
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |